书家姚鹰厦先生登上《时代周刊》

  在最近一期的美国《时代周刊》,姚鹰厦作为著名华人艺术家,登上了美国《时代周刊》杂志。

《时代周刊》(Time)又称《时代》,创立于1923年,是半个世纪多以前最先出现的新闻周刊之一,特为新的日益增长的国际读者群开设一个了解全球新闻的窗口。《时代》是美国三大时事性周刊之一,内容广泛,对国际问题发表主张和对国际重大事件进行跟踪报道。

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Personal profile

Yao Yingxia, born in 1955, a native of Shanghai, Yao Jiangren in the alias. He liked calligraphy and literature since he was a child, and has been in the pond for many years. Since 2005, under the tutelage of Mr. Zeng Pu, a well-known literati calligrapher, painter, Jinshi seal engraver, and author of the classic Chinese classics book “The Imchen Thousand-Character Posts”, he has been immersed in the art of calligraphy. There is often creation.

At the same time, through the intensive study of ancient calligraphy and theories, I have a deeper understanding of the development of Chinese calligraphy and the characteristics of key calligraphy schools in the past. Rubbings have a special liking. Through hard work and research, I have benefited a lot. I have created many calligraphy works with great concentration, which are deeply loved and collected by calligraphy lovers.

He has unique insights on how various schools and schools in the field of calligraphy view the development and innovation of traditional calligraphy. They believe that in the process of learning calligraphy with the people’s enthusiasm, it is necessary to be proactive in learning Jin and Tang calligraphy. The treasures of calligraphy that people leave to our descendants are a model for us to learn calligraphy. We must not underestimate them. We must learn them seriously and copy them to lay a solid foundation for calligraphy. Only on this premise, to think about the artistry of modern calligraphy (rather than purely artistic calligraphy) to open up the path of calligraphy innovation. If the inheritance of traditional calligraphy is discarded and the so-called innovation of calligraphy is carried out, it will be a tree without a root and water without a source, which will inevitably lead the development of Chinese calligraphy astray.

Participated in the “Modern Masters-“China Hope Cup” National Painting and Calligraphy Competition” in 2020, and won the prize; in 2020, he won the “Heroic Hymn Cup” National Calligraphy and Art Competition and the New Media Joint Painting and Calligraphy Exhibition to commemorate the 70th anniversary of the Chinese People’s Volunteers’ resistance to US aggression and aid to Korea, shortlisted Touring exhibition; at the same time, it was compiled into the 2021 Xin Chou Year Chinese Culture Entering Wanjia Boutique Calendar (Yearbook) by the Working Committee of Chinese Culture Entering Wanjia; In 2021, China Post published and distributed the limited edition of “Prosperous China. Inheritance Classic——Yao Ying” “Xiamen Calligraphy and Treasure Post”; January 2021 was invited by the China Education Television Station “Splashing Ink Chinese Love” Spring Festival Evening Pen Conference, on-stage creation; June 2021, to commemorate the 100th birthday of the Communist Party of China, was adopted by hundreds of media to publish the “Great Beautiful China” ·Recommended Reports by Contemporary Artists” activity. In the same month, he gave full support to the construction of the “Blessing Culture Stele Forest” of Donghua Temple in Shaoguan, Guangdong Province, and gave a gift of calligraphy. The work is in the present age, and the virtues and benefits will continue forever!

On the eve of “July 1st”, in order to welcome the 100th anniversary of the Communist Party of China, the organizing committee of one hundred Chinese media comprehensively reported and publicized the “100th Anniversary of the Communist Party of China” while using this high-end platform. Released on the media platform, providing excellent brand image display opportunities for artists across the country, and hereby edit and publish the series of special reports on Sun Xiaoyun and Yao Yingxia of “Two Masters in Chinese Art Circles”. “Two Masters in Chinese Art” specially invited Teachers Sun Xiaoyun and Yao Yingxia as century-old ambassadors. Their works have become classics, and their classics have created masters. Whether it is the lingering brushwork or the ink color, it is inherited from the authentic works of the ancients, to get rid of the habits of the predecessors, do not create the style, and become a new star in the art world.

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个人简介

姚鹰厦,1955年生,上海人, 别号里姚降人。 自幼喜好书法与文学,并临池多年。自2005年起,师从北京著名文人书画家、金石篆刻家、国学经典图书《壬辰千字文帖》作者曾璞先生,埋头钻研书法艺术源流,刻苦临摹诸家碑帖,尤擅小楷,并常有创作。

与此同时,通过对古代书论法帖的精读细研,比较深刻地了解了中国书法源流的发展脉络,以及历代重点书法流派的特点,并对皇象、钟繇、二王、褚遂良等墨迹碑帖情有独钟,通过刻苦攻研,获益匪浅,潜心创作出了不少书法作品,深受书法爱好者的喜爱与之收藏。

对于当今书法领域的各家各派如何看待传统书法的发展和创新,其有着独到的见解,认为在民众热情高涨书法学习的过程中,要有主动性的去努力学习晋唐书法,那是先人留给我们后人的书法瑰宝,是我们学习书法的范本,不可轻视,必须认真地去学,去临摹,为自己打下扎实的书法基础。只有在这个前提下,去思索现代书法的艺术性(而不是纯艺术性的书法)去开拓书法创新之路。假如丢弃了传统书法的承传,去进行所谓的书法创新,那就是无本之木,无源之水,必然会将中国书法的发展引入岐途。

He is currently a member of the Calligraphers Association of the Central Government, a standing director of the National Committee of Calligraphy and Painting, a contracted artist in the column “Ink Danqing” and “Famous Lecture Hall” of China Education Television, a member of the Chinese Academy of Popular Culture, celebrity painting and calligraphy art development Committee member, member of Beijing Zhongxuan Shengshi International Painting and Calligraphy Institute, visiting professor of Confucius Art Museum Training Center of Confucius Institute of China, executive vice president of China Painting and Calligraphy Network, secretary general of Jiangsu Branch, honorary vice president of Wenzhou Painting and Calligraphy Institute of Anhui Province, national professional letter Net OCECC was assessed as a first-class calligrapher. Follow the ancients with awe, learn from the past and never forget the past, always on the way to the peak. I hope to work together with the calligraphy circle and do my best to inherit and carry forward Chinese traditional calligraphy.

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2020年参加《现代名家——“华夏希望杯”全国书画大赛》,获得优胜奖;2020年获得“英雄赞歌杯”全国书法与美术大赛暨纪念中国人民志愿军抗美援朝70周年新媒体联合书画展,入围巡迥展;同时,被中国文化进万家工作委员会编入2021辛丑年中国文化进万家精品日历(年鉴);2021年中国邮政出版发行珍藏限量版《盛世中国.传承经典——姚鹰厦书法珍邮》;2021年1月受邀中国教育电视台《泼墨中华情》春晚笔会,上台现场创作;2021年6月,为纪念中国共产党百年诞辰,被百家媒体采纳发布了《大美中国·当代艺术家推荐报道》活动。同月为广东韶关东华寺"福文化碑林”建设鼎力襄助,惠赐墨宝。功在当代,德惠千秋!

“七一”前夕,中国百家媒体组委会 为了迎接中国共产党100周年华诞,全面深入报道宣传“中国共产党100周年盛况”同时借助这一高端平台,並在全国一百多家具有影响力的传媒平台上发布,为全国各艺术家提供绝好的品牌形象展示机会,特此编辑出版《中国艺坛两大家》孙晓云、姚鹰厦系列专辑报道。《中国艺坛两大家》特邀 孙晓云老师 和姚鹰厦老师为百年形象大使,他们的作品成就了经典,他们的经典造就了大师。无论是笔法绵缠,还是墨色浓淡,传承于古人真迹,脱尽前人习气,别创风格,为前人所不为者,成为艺坛新星,仰而观之,光茫四射。

现为中央国家机关书法家协会会员,全国书画艺术委员会常务理事,中国教育电视台水墨丹青栏目《水墨丹青》、《名家讲堂》栏目签约艺术家、水墨丹青书画院会员,中国大众文化学会名人书画艺术发展委员会委员,北京中宣盛世国际书画院会员,中国孔子学院孔子美术馆培训中心客座教授,中国书画网常务副院长、江苏分院秘书长,安徽省文州书画院荣誉副院长,国家职信网OCECC评定为一级书法师。怀敬畏心追随古人,学古不泥古,永远在攀登高峰的路上。惟願与书界同道偕行,为承传弘扬中国传统书法尽一份绵薄之力。

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A group photo of Yao Yingsha with his teacher, Beijing cultural expert, famous calligrapher, painter, seal cutter, and author of “Reen Chen Thousand-Character Posts”, Mr. Zeng Pu

Gallery

姚鹰厦与其恩师北京文化达人,著名书画家,篆刻家,《壬辰千字文帖》作者曾璞先生在一起的合影

作品展示

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名家点评

 

《和璧隋珠古今相续——记著名书法家姚鹰厦》

一划开天,浑沌阴阳!老子上观天垂相,袭承伏羲智慧,以“道”而论万物诸象,写下《道德经》,成为中国哲学史上龙脉传播的基石!当代著名书法家姚鹰厦先生怀着仰天问道,观心修德的执着精神,执一支小毫抄写《道德经》五千言字,不遗余力,精研求道,以至于字字谙哲学,句句播文化,成为当代书坛的贤家行者!行者作书法,如攀山渡川寻和璧觅隋珠。贤家小楷抄成《道德经》,一出世就是横空姿态,惊奇了书坛,成为书法文化与哲学源流相得益彰的文史珍册!

赵子昂抄成道德经,多多少少带有自解悲情的取向。姚鹰厦抄成道德经,一眼可观最有盛世当歌的磅礴胸怀!同样是书法抄经,各有不同的表达倾向,前者以书寄心,后者以书抒情。从精神内涵上来辩析两本小楷《道德经》,可以感受赵本敛而郁,姚本妙而活!这是文人在不同的时代背景下而作出的“依于心”的各自表达,都带有鲜明的时代印迹!透过赵本小楷《道德经》,可体味文人二臣的悲情。透过姚本小楷《道德经》,可观盛世文人的精神洒脱。因此,看姚本小楷道德经,可观天朗气清,亦可见惠风和畅,盛世完本,必然为文史佳作。从这个角度来讲,姚鹰厦先生的小楷《道德经》抄本,恰是笔墨当随时代的新经典。这就是他的这件十米长卷成为观览臻品、收藏珍贵的重要原因!

姚鹰厦是一位诸书皆成,博涉多优的书法家。在他的书法世界里游目骋怀,足以极视听之愉,可以体察到书法三千年精华的正宗传承!诸书皆有法度精研的磨砺,也有尘外孤标的独立,不作书奴,也不写书匠,而是带着手执笔、心作主的自如,把二王体系法帖临习的默于心,透于笔。又广泛参意了皇象、钟繇小楷的圆活生动,可以写得抑左扬右!又对禇遂良的墨迹拓碑作出了心追手临,极好地掌握着笔墨丰姿多神的塑造机理。取法多门,融会贯通,小楷抄经的功夫已经历练到了炉火纯青,可以作出宣示表、黄庭经、阴符经综而合成的正大气象!

由是,鹰厦先生小楷抄经,字小而神不弱,起笔落笔写得是金书锦字!小字宽之贵大,大字蹙之贵小,洋洋洒洒五千言,写得锋纤往来,高低有趣,绝无算子之状,尽显激楚浪以成文的洒脱。笔墨技法娴熟无碍,心谙道德自然而书,所以抄成道德经上本,也是人格修养悟道行道的见证!人书合一,独树一帜。

和璧隋珠,古今相续。道可道,非常道!后之视今,亦如今之视昔。每一个时代,都拥有古今相续的文化珍品,姚鹰厦的小楷《道德经》抄本,正是我们这个时代向后世传承高品质文化信息的载体。姚氏抄本,文化新功。后之览者,亦将有感于文以载道的精气神!

孔子美术馆馆长 江继良 2021年7月30日

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The book is authentic by the teacher, and all the styles become a wonderful pen-remember the famous calligrapher Yao Yingsha

 

There is a saying in the book theory, the poor research on seals, the effort is easy! However, the law of seal calligraphy belongs to the magic of calligraphy, and requires the teaching of the master to solve the secret books, so as to realize the origin of calligraphy. To be taught by a good teacher depends on chance. Yao Yingsha and the master of calligraphy and calligraphy, Mr. Jin Shixiande, Mr. Zeng Pu, continued to write the opportunity of famous teachers and high apprentices, and were taught by mentors, so that they could unlock the secrets of calligraphy and become masters of all books!

 

The method of calligraphy is the best, and the inions of the past dynasties have been sharpened. The method is also superior, and it can be handwritten in gold and brocade characters. In particular, Mr. Yao is also an example of a literati who can write brilliantly, so his calligraphy is blessed by his cultivation, and the traditional literati calligraphy is the best. It is free and easy and elegant, and natural in nature. This is the eternal heritage of the authentic calligraphy culture. Art critics all appreciate his excellent writing style, and he also sees his unruly writing style, often writes articles and sings, and gains reputation, dynamic scrolls, overflowing with boxes! Why not step into the contemporary world of literati and get a glimpse of the extraordinary pattern of pen-and-ink writing culture!

 

Mr. Yao is ecstatic, and he is also in style! The literati’s elegance is the flexibility of calligraphy; the literati’s knowledge is the soul of calligraphy; the literati’s character is the rigidity of calligraphy. Therefore, the book is like its own, and his calligraphy best sees the combination of strength and softness of oriental aesthetics. Its calligraphy complements culture and philosophy, and has the authentic attributes of traditional aesthetics. The shape and god bless the soul, and the pen and ink always sees the spirit. Whether it is used for official , running , regular , or Zhangcao, there is absolutely no dull image.

 

It is said that Li does not practice Cao, so he must not practice! Cao Quanbei is well prepared, difficult to get started, difficult to succeed, and difficult to write about yourself! The trilemma is blocked, so people advise not to practice. Mr. Yao is obsessive. His official is based on the elegance of Cao Quanbei. It is written with silkworm heads bowing down, swallowtails flying across, sweeping left and right, quite comfortable and skillful. Participate in the Xiuyi quality of the Shichen stele and the ritual stele, and complete the style of the Confucian Temple. The is written in a wave of three twists and turns, and it is also written by the violent waves of Chu. After rubbing into the stone material, the stele can be cultivated, but can get rid of the shackles, and then write the characteristics of the Yao family. The pen stands on the bone, the ink is white, and it has both form and spirit, which is more valuable than god!

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《法由师授书正宗 诸体皆成妙运笔——记著名书法家姚鹰厦》

书论有言,穷研篆籀,功省易成!但是篆籀之法属书道机妙,需要法由师授,方解秘籍,从而觉悟书法源起之妙。得遇贤师教益,需依机缘。姚鹰厦与书画大家、金石贤德曾璞先生续写名师高徒的机缘,得到恩师入室传授,以至于可以解锁书道秘籍,成为诸书皆成的翰墨能手!

其书法取法为上,磨砺历代碑帖,得法亦见上乘,可以遂心应手写金书锦字。特别是姚先生亦是可以妙作文章的文人典范,所以他的书法受其修养加持,最见传统文人书法的遂心应手,不求为佳反为最佳。起笔落墨,洒脱优雅,天质自然,这正是正宗书法文化龙脉的古今永传。艺坛评论者皆赏其笔力卓越,亦见其书风不羁,常作文章以歌之,所得誉论,动盈卷轴,溢乎箱箧!不妨走进这位当代文人的翰墨世界,一览笔墨写文化的非凡格局!

姚先生性逸,亦驻风骨!文人的雅修,作书法的柔性; 文人的博识,作书法的灵魂; 文人的风骨,作书法的刚性。所以书如其人,他的书法最见东方审美的刚柔相济。其书法与文化、哲学相得益彰,完具传统审美的正宗属性。形神加持灵魂,笔墨总见性灵,无论是作隶书、行书、楷书、章草都绝无呆板之像,常有丰姿多神的挥洒自如!

人称隶不练曹,非不能练!曹全碑法度周备,入门难,成功难,写出自我难!三难阻断,所以人劝莫练。姚先生偏有执着劲,他的隶书以曹全碑的典雅为品,写得是蚕头俯生,燕尾凌渡,左掠右挑,相当自如,恣意娴熟。再参意进史晨碑、礼器碑的秀逸品性,完具孔庙风范,把隶书写得一波过三折,如足行而趋骤,亦是激楚浪以成文。再揉进金石质,修得碑法,而能脱得束缚,继而把隶书写出了姚氏个性。笔立骨,墨飞白,形神兼备,尤贵于神!

先生写楷书,系统地梳理了魏晋小楷的圆活生动、唐楷的法度严谨、明清楷的官家气势,然后进行融会贯通,把楷书写出了艺术形态上的多姿多彩,无一字为呆立,尽显上正非齐平,左右非方整,平曲有别,生动作活,非匠书!又把楷书写出了文化层面上的正大气象,端正写字意寓端正做人,把楷书所承载的文化核心铺陈在笔墨里,仰观其书,可令人大振心颜!楷书,当如是!

法由师授书正宗,诸体皆成妙运笔。行书也可以体现姚先生对文人书法的精研覃思,习成兰亭、中秋、伯远、快雪时晴帖等二王体系的法帖,写得不激不厉,伸缩得体,把晋代文人的信札书法表达得无以复加,令人游而览之,如复旧观!又见其章草作品亦复如是,形断意连,点划要妙,可以在一划之间变起伏,可以在一点之内殊衄挫。有崔瑗杜度始作其妙的智慧,有伯英尤善其美的表达,亦不缺少羲献兹降、虞陆相传的袭承!经由春秋不辍的琢磨与熏习,让他的书法写得颇具机格,信手妙作两三行,依书抒情,漓骊流畅!拈笔一笑,书法便是万类之像。欲问此中妙,意可会言不可传!翰墨修到峰巅处,尽皆如是!

著名书画评论家 史峰 2021年6月6日

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My husband wrote regular s, systematically combing through the vivid and lively characters of Wei and Jin lower s, the rigorous laws of Tang Kai, and the official aura of Ming and Qing regular s. Then, he integrated the s and wrote the s in a variety of artistic forms, without a word. In order to stand still, it shows that the front and the wrong are even, the left and the right are not square, the flat and the curved are different, the life is lively, not the craftsman’s book! It also expresses the upright atmosphere of the regular on the cultural level, the correct writing implies a correct life, and the cultural core carried by the regular is laid out in the pen and ink. Looking up at the , it is very refreshing! Regular , as it is!

The book is authentic by the teacher, and all the bodies are made into wonderful luck pens. The running can also reflect Mr. Yao’s intensive research on the calligraphy of the literati. The ures of the two kings system such as Xicheng Lanting, Mid-Autumn Festival, Boyuan, Kuaixue Shiqing Posts, etc., are not very aggressive, stretched and decently. The calligraphy expression of the letter is inexhaustible, and it is like a retrospective view! See also Qi Zhangcao’s works, the shape is broken and the meaning is connected, the dots and strokes should be subtle, and they can fluctuate between strokes, and they can be frustrated within one point. There is Cui Yuan Du Du’s wonderful wisdom, Boying’s particularly beautiful expression, and there is no lack of inheritance from Xi Xianzijiang and Yu Lu! Through constant pondering and study in the spring and autumn, he made his calligraphy quite dynamic, with two or three lines in hand, expressing emotions according to the book, and fluently and smoothly! With a smile, calligraphy is like everything. If you want to ask about the magic, the meaning can be unspoken! Han Mo repaired to the summit, everything is like this!

Famous calligraphy and painting critic Shi Feng June 6, 2021

 

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Summary comments:

Teacher Yao’s calligraphy is fat and boned, with flesh and blood, lively and agile. The changeable pen, the mastery of the composition, the up and down tapes, the left and right panning, staggered ups and downs, vividly on the paper. In the flowing lines, the radius, density, size, length, thickness, density, lightness, dryness, and wetness become flexible. The majestic and majestic is like running clouds and flowing water. It can be described as unconventional and original. It has its own unique brushwork and unique artistic expression.

Teacher Yao’s artistic charm not only gives people artistic appreciation, but also gives people spiritual enjoyment. His work, “There is strength in the softness, and the strangeness in the show. It is a cool brush and a magical help.” I “appreciate the calligraphy of teacher Yao Yingxia, and then understand the content of the book. It is really enjoyable after bathing, changing clothes, and burning incense. The sense of thread-bound books. The four fragrances of incense, ink, calligraphy, and literary fragrance are all overflowing, and the nose is soothing, the eyes are happy, the heart is relaxed, and the spirit is good.” It writes the true feelings of the reader

Teacher Yao is not proud. He believes that the highest state of calligraphy is to write heart, thought, and emotion. Mr. Yao Yingxia’s calligraphy has reached this state. He organically combines traditional calligraphy techniques with modern calligraphy. The rich ink color changes are amazing. The words are written in one stroke. It is like a dragon playing in the water and a giant dragon swimming in the sky. The extraordinary tolerance makes the viewer amazing. Wrote his feelings about life with pen and ink.

Zhou Zihui-Time Magazine   September 2021

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总结评语:

姚老师的书法肥而有骨,骨肉相济,活泼而灵动。那用笔的多变,章法的烂熟,上下的映带,左右的顾盼,错落起伏,跃然纸上。在那流动的线条中,方圆、疏密、大小、长短、粗细、浓、淡、枯、湿多变灵活。大气磅礴如行云流水,真可谓标新立异、匠心独具,已有了自已独特的笔法和别具一格的艺术表现形式。  姚老师的艺术魅力不仅仅给人以艺术欣赏,而且给人以精神享受。他的作品,“柔中有刚、秀中见奇,乃笔爽爽而有神助。”我“赏罢姚鹰厦老师的书法,再理解书中内容,真有沐浴、更衣、焚香之后捧读线装书之感。线香、墨香、字香、文香四香皆溢,鼻舒、眼悦、心旷、神怡四享俱佳。”写出了读者的真情实感。  姚老师并没有骄傲,他认为书法的最高境界是写心、写思想、写感情。姚鹰厦先生的书法已达到了这一境界。他把传统的书法技巧有机地同现代书法相结合,其丰富的墨色变化妙不可言,字一笔书就,一气呵成,俨然蛟龙戏水,巨龙游天,气度非凡,使观者叫绝。写出了他对笔墨人生的感悟。

周梓慧——时代周刊 2021年9月

Screenshot_20210918_171824

 

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