Yao Yingxia, born in 1955, a native of Shanghai, Yao Jiangren in the alias. He liked calligraphy and literature since he was a child, and has been in the pond for many years. Since 2005, under the tutelage of Mr. Zeng Pu, a well-known literati calligrapher, painter, Jinshi seal engraver, and author of the classic Chinese classics book “The Imchen Thousand-Character Posts”, he has been immersed in the art of calligraphy. There is often creation.
At the same time, through the intensive study of ancient calligraphy and theories, I have a deeper understanding of the development of Chinese calligraphy and the characteristics of key calligraphy schools in the past. Rubbings have a special liking. Through hard work and research, I have benefited a lot. I have created many calligraphy works with great concentration, which are deeply loved and collected by calligraphy lovers.
He has unique insights on how various schools and schools in the field of calligraphy view the development and innovation of traditional calligraphy. They believe that in the process of learning calligraphy with the people’s enthusiasm, it is necessary to be proactive in learning Jin and Tang calligraphy. The treasures of calligraphy that people leave to our descendants are a model for us to learn calligraphy. We must not underestimate them. We must learn them seriously and copy them to lay a solid foundation for calligraphy. Only on this premise, to think about the artistry of modern calligraphy (rather than purely artistic calligraphy) to open up the path of calligraphy innovation. If the inheritance of traditional calligraphy is discarded and the so-called innovation of calligraphy is carried out, it will be a tree without a root and water without a source, which will inevitably lead the development of Chinese calligraphy astray.
Participated in the “Modern Masters-“China Hope Cup” National Painting and Calligraphy Competition” in 2020, and won the prize; in 2020, he won the “Heroic Hymn Cup” National Calligraphy and Art Competition and the New Media Joint Painting and Calligraphy Exhibition to commemorate the 70th anniversary of the Chinese People’s Volunteers’ resistance to US aggression and aid to Korea, shortlisted Touring exhibition; at the same time, it was compiled into the 2021 Xin Chou Year Chinese Culture Entering Wanjia Boutique Calendar (Yearbook) by the Working Committee of Chinese Culture Entering Wanjia; In 2021, China Post published and distributed the limited edition of “Prosperous China. Inheritance Classic——Yao Ying” “Xiamen Calligraphy and Treasure Post”; January 2021 was invited by the China Education Television Station “Splashing Ink Chinese Love” Spring Festival Evening Pen Conference, on-stage creation; June 2021, to commemorate the 100th birthday of the Communist Party of China, was adopted by hundreds of media to publish the “Great Beautiful China” ·Recommended Reports by Contemporary Artists” activity. In the same month, he gave full support to the construction of the “Blessing Culture Stele Forest” of Donghua Temple in Shaoguan, Guangdong Province, and gave a gift of calligraphy. The work is in the present age, and the virtues and benefits will continue forever!
On the eve of “July 1st”, in order to welcome the 100th anniversary of the Communist Party of China, the organizing committee of one hundred Chinese media comprehensively reported and publicized the “100th Anniversary of the Communist Party of China” while using this high-end platform. Released on the media platform, providing excellent brand image display opportunities for artists across the country, and hereby edit and publish the series of special reports on Sun Xiaoyun and Yao Yingxia of “Two Masters in Chinese Art Circles”. “Two Masters in Chinese Art” specially invited Teachers Sun Xiaoyun and Yao Yingxia as century-old ambassadors. Their works have become classics, and their classics have created masters. Whether it is the lingering brushwork or the ink color, it is inherited from the authentic works of the ancients, to get rid of the habits of the predecessors, do not create the style, and become a new star in the art world.
姚鹰厦，1955年生，上海人， 别号里姚降人。 自幼喜好书法与文学，并临池多年。自2005年起，师从北京著名文人书画家、金石篆刻家、国学经典图书《壬辰千字文帖》作者曾璞先生，埋头钻研书法艺术源流，刻苦临摹诸家碑帖，尤擅小楷，并常有创作。
He is currently a member of the Calligraphers Association of the Central Government, a standing director of the National Committee of Calligraphy and Painting, a contracted artist in the column “Ink Danqing” and “Famous Lecture Hall” of China Education Television, a member of the Chinese Academy of Popular Culture, celebrity painting and calligraphy art development Committee member, member of Beijing Zhongxuan Shengshi International Painting and Calligraphy Institute, visiting professor of Confucius Art Museum Training Center of Confucius Institute of China, executive vice president of China Painting and Calligraphy Network, secretary general of Jiangsu Branch, honorary vice president of Wenzhou Painting and Calligraphy Institute of Anhui Province, national professional letter Net OCECC was assessed as a first-class calligrapher. Follow the ancients with awe, learn from the past and never forget the past, always on the way to the peak. I hope to work together with the calligraphy circle and do my best to inherit and carry forward Chinese traditional calligraphy.
“七一”前夕，中国百家媒体组委会 为了迎接中国共产党100周年华诞，全面深入报道宣传“中国共产党100周年盛况”同时借助这一高端平台，並在全国一百多家具有影响力的传媒平台上发布，为全国各艺术家提供绝好的品牌形象展示机会，特此编辑出版《中国艺坛两大家》孙晓云、姚鹰厦系列专辑报道。《中国艺坛两大家》特邀 孙晓云老师 和姚鹰厦老师为百年形象大使，他们的作品成就了经典，他们的经典造就了大师。无论是笔法绵缠，还是墨色浓淡，传承于古人真迹，脱尽前人习气，别创风格，为前人所不为者，成为艺坛新星，仰而观之，光茫四射。
A group photo of Yao Yingsha with his teacher, Beijing cultural expert, famous calligrapher, painter, seal cutter, and author of “Reen Chen Thousand-Character Posts”, Mr. Zeng Pu
孔子美术馆馆长 江继良 2021年7月30日
The book is authentic by the teacher, and all the styles become a wonderful pen-remember the famous calligrapher Yao Yingsha
There is a saying in the book theory, the poor research on seals, the effort is easy! However, the law of seal calligraphy belongs to the magic of calligraphy, and requires the teaching of the master to solve the secret books, so as to realize the origin of calligraphy. To be taught by a good teacher depends on chance. Yao Yingsha and the master of calligraphy and calligraphy, Mr. Jin Shixiande, Mr. Zeng Pu, continued to write the opportunity of famous teachers and high apprentices, and were taught by mentors, so that they could unlock the secrets of calligraphy and become masters of all books!
The method of calligraphy is the best, and the inions of the past dynasties have been sharpened. The method is also superior, and it can be handwritten in gold and brocade characters. In particular, Mr. Yao is also an example of a literati who can write brilliantly, so his calligraphy is blessed by his cultivation, and the traditional literati calligraphy is the best. It is free and easy and elegant, and natural in nature. This is the eternal heritage of the authentic calligraphy culture. Art critics all appreciate his excellent writing style, and he also sees his unruly writing style, often writes articles and sings, and gains reputation, dynamic scrolls, overflowing with boxes! Why not step into the contemporary world of literati and get a glimpse of the extraordinary pattern of pen-and-ink writing culture!
Mr. Yao is ecstatic, and he is also in style! The literati’s elegance is the flexibility of calligraphy; the literati’s knowledge is the soul of calligraphy; the literati’s character is the rigidity of calligraphy. Therefore, the book is like its own, and his calligraphy best sees the combination of strength and softness of oriental aesthetics. Its calligraphy complements culture and philosophy, and has the authentic attributes of traditional aesthetics. The shape and god bless the soul, and the pen and ink always sees the spirit. Whether it is used for official , running , regular , or Zhangcao, there is absolutely no dull image.
It is said that Li does not practice Cao, so he must not practice! Cao Quanbei is well prepared, difficult to get started, difficult to succeed, and difficult to write about yourself! The trilemma is blocked, so people advise not to practice. Mr. Yao is obsessive. His official is based on the elegance of Cao Quanbei. It is written with silkworm heads bowing down, swallowtails flying across, sweeping left and right, quite comfortable and skillful. Participate in the Xiuyi quality of the Shichen stele and the ritual stele, and complete the style of the Confucian Temple. The is written in a wave of three twists and turns, and it is also written by the violent waves of Chu. After rubbing into the stone material, the stele can be cultivated, but can get rid of the shackles, and then write the characteristics of the Yao family. The pen stands on the bone, the ink is white, and it has both form and spirit, which is more valuable than god!
姚先生性逸，亦驻风骨！文人的雅修，作书法的柔性； 文人的博识，作书法的灵魂； 文人的风骨，作书法的刚性。所以书如其人，他的书法最见东方审美的刚柔相济。其书法与文化、哲学相得益彰，完具传统审美的正宗属性。形神加持灵魂，笔墨总见性灵，无论是作隶书、行书、楷书、章草都绝无呆板之像，常有丰姿多神的挥洒自如！
著名书画评论家 史峰 2021年6月6日
My husband wrote regular s, systematically combing through the vivid and lively characters of Wei and Jin lower s, the rigorous laws of Tang Kai, and the official aura of Ming and Qing regular s. Then, he integrated the s and wrote the s in a variety of artistic forms, without a word. In order to stand still, it shows that the front and the wrong are even, the left and the right are not square, the flat and the curved are different, the life is lively, not the craftsman’s book! It also expresses the upright atmosphere of the regular on the cultural level, the correct writing implies a correct life, and the cultural core carried by the regular is laid out in the pen and ink. Looking up at the , it is very refreshing! Regular , as it is!
The book is authentic by the teacher, and all the bodies are made into wonderful luck pens. The running can also reflect Mr. Yao’s intensive research on the calligraphy of the literati. The ures of the two kings system such as Xicheng Lanting, Mid-Autumn Festival, Boyuan, Kuaixue Shiqing Posts, etc., are not very aggressive, stretched and decently. The calligraphy expression of the letter is inexhaustible, and it is like a retrospective view! See also Qi Zhangcao’s works, the shape is broken and the meaning is connected, the dots and strokes should be subtle, and they can fluctuate between strokes, and they can be frustrated within one point. There is Cui Yuan Du Du’s wonderful wisdom, Boying’s particularly beautiful expression, and there is no lack of inheritance from Xi Xianzijiang and Yu Lu! Through constant pondering and study in the spring and autumn, he made his calligraphy quite dynamic, with two or three lines in hand, expressing emotions according to the book, and fluently and smoothly! With a smile, calligraphy is like everything. If you want to ask about the magic, the meaning can be unspoken! Han Mo repaired to the summit, everything is like this!
Famous calligraphy and painting critic Shi Feng June 6, 2021
Teacher Yao’s calligraphy is fat and boned, with flesh and blood, lively and agile. The changeable pen, the mastery of the composition, the up and down tapes, the left and right panning, staggered ups and downs, vividly on the paper. In the flowing lines, the radius, density, size, length, thickness, density, lightness, dryness, and wetness become flexible. The majestic and majestic is like running clouds and flowing water. It can be described as unconventional and original. It has its own unique brushwork and unique artistic expression.
Teacher Yao’s artistic charm not only gives people artistic appreciation, but also gives people spiritual enjoyment. His work, “There is strength in the softness, and the strangeness in the show. It is a cool brush and a magical help.” I “appreciate the calligraphy of teacher Yao Yingxia, and then understand the content of the book. It is really enjoyable after bathing, changing clothes, and burning incense. The sense of thread-bound books. The four fragrances of incense, ink, calligraphy, and literary fragrance are all overflowing, and the nose is soothing, the eyes are happy, the heart is relaxed, and the spirit is good.” It writes the true feelings of the reader
Teacher Yao is not proud. He believes that the highest state of calligraphy is to write heart, thought, and emotion. Mr. Yao Yingxia’s calligraphy has reached this state. He organically combines traditional calligraphy techniques with modern calligraphy. The rich ink color changes are amazing. The words are written in one stroke. It is like a dragon playing in the water and a giant dragon swimming in the sky. The extraordinary tolerance makes the viewer amazing. Wrote his feelings about life with pen and ink.
Zhou Zihui-Time Magazine September 2021
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姚老师的书法肥而有骨，骨肉相济，活泼而灵动。那用笔的多变，章法的烂熟，上下的映带，左右的顾盼，错落起伏，跃然纸上。在那流动的线条中，方圆、疏密、大小、长短、粗细、浓、淡、枯、湿多变灵活。大气磅礴如行云流水，真可谓标新立异、匠心独具，已有了自已独特的笔法和别具一格的艺术表现形式。 姚老师的艺术魅力不仅仅给人以艺术欣赏，而且给人以精神享受。他的作品，“柔中有刚、秀中见奇，乃笔爽爽而有神助。”我“赏罢姚鹰厦老师的书法，再理解书中内容，真有沐浴、更衣、焚香之后捧读线装书之感。线香、墨香、字香、文香四香皆溢，鼻舒、眼悦、心旷、神怡四享俱佳。”写出了读者的真情实感。 姚老师并没有骄傲，他认为书法的最高境界是写心、写思想、写感情。姚鹰厦先生的书法已达到了这一境界。他把传统的书法技巧有机地同现代书法相结合，其丰富的墨色变化妙不可言，字一笔书就，一气呵成，俨然蛟龙戏水，巨龙游天，气度非凡，使观者叫绝。写出了他对笔墨人生的感悟。